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This is a wide-shot theatrical photograph featuring four women standing in a somewhat messy basement-like setting with low ceilings and concrete walls. A large open suitcase with clothes spilling out sits in the center foreground, next to a supporting metal pole. The four women are all holding up beer bottles in a celebratory or toasting manner. On the far left, a woman stands in a green cardigan and dark blue pants. Next to the central pole, a woman is kneeling amidst the clothes, wearing a bright pink hooded jacket and pants. To her right, a red-haired woman stands, smiling, in dark pants and a grey top. On the far right, a fourth woman stands in a fitted, patterned rust-colored dress with a peplum, holding a bottle high above her head and addressing the others. The background includes a plaid couch, a glowing framed picture, a white wooden chair, and a staircase railing on the right.
Theater

“Queens” is a murky story of immigrant women’s sacrifices for survival

Allen Neuner -
This is a wide-shot theatrical photograph featuring four characters standing or seated in a modern living room and dining area set. A blonde woman sits prominently in the center foreground in a modern black chair, wearing a bright red blazer over a black top and pants, gesturing with her right hand while holding a small orange shopping bag in her left. To her left, standing behind her, are a man in a brown jacket and a woman in a colorful patterned shirt and blue jeans, both looking intently at the seated woman with expressions of surprise or distress. On the right side of the frame, a bald man in a light grey zip-up sweater and blue jeans stands with his head tilted back and eyes closed, seeming exasperated or emotional. The set features dark wood floors, grey walls, modern furniture including a sofa in the background, and a large patterned rug.
Theater

Mix family secrets, polyamory, and personal fulfillment and you quickly learn...

Allen Neuner -
This is a dramatic, high-contrast theatrical photograph featuring two performers in bold, stylized costumes under stark lighting. On the left, a woman stands in a striking black velvet jacket with wide white lapels, a white shirt, and a black-and-white patterned tie, holding a dark cord that leads toward the man. Her expression is intense and focused. On the right, a heavyset man in a tan suit with a dark tie is gripping a microphone and appears to be singing or speaking passionately, with a fervent, almost desperate expression. The background is a mix of dark and red lighting, and a third figure in a light brown jacket stands between them, out of focus. This scene is likely a confrontational or emotionally charged moment, possibly from the production of Richard II, given the dramatic mood and contemporary costuming that reinterprets classic characters.
Theater

“Richard II,” or the queen who would be king

Allen Neuner -
This theatrical photograph captures a diverse ensemble of eight performers posed dramatically on stage, likely from the musical 44 THE MUSICAL, given the stage's distinctive red and purple striped walls. The group is centered, striking energetic poses with raised fists and pointed fingers. A woman in the middle, wearing a dark blue denim jumpsuit with a red bra visible, takes the central focus with a powerful stance and a raised fist. The rest of the ensemble wears a variety of costumes, including a man in red pants and sunglasses, a woman in a blue trench coat, and another in a red and white jacket, suggesting a humorous mix of political or character archetypes. The scene is warmly lit with a strong blue backlight highlighting the figures.
Theater

“44 the Musical” is a MAD Magazine version of recent political...

Allen Neuner -
This is a medium-shot photograph capturing three actors on a stage set for a play. On the left, a man of color wearing a light tan shirt, voluminous reddish-orange pants, and a beret stands on the upper steps of a wooden staircase, looking directly forward with a serious expression. He appears to be holding a rifle or prop gun slung across his chest. In the center, a female actor, seen from the back, wears a black, fitted bodice with ruffles and a long, full white or sheer skirt, facing two steps and a small shelving unit. To the right, a white man in dark trousers, a white shirt, and a silver and black patterned vest gestures outward with his right hand as he looks towards the woman. The set includes a small living area with two salmon-colored armchairs, and some tall, dried grasses are visible against the dark backdrop on the far right. The stage is brightly lit, contrasting with the dark background.
Theater

“Dutchman” and “The Slave” reveal the mind of Amiri Baraka

Allen Neuner -
This photo captures a woman seated on a chair against a stark black background, suggesting a stage or interview setting. She is looking directly at the camera with an engaging expression while holding a microphone in one hand and a small piece of paper in the other, suggesting she is speaking or giving a presentation. She has short, curly auburn hair and is wearing large, distinctive, square-rimmed tortoiseshell glasses. Her attire is a casual-yet-polished mix: a dark pinstripe blazer over a denim shirt and blue jeans. To her right, a small wooden table holds a glass of water and a book titled "NEVER THE TWAIN SHALL MEET." To her left, part of a camera on a tripod is visible.
Theater

“Nothing Can Take You from the Hand of God”: what is...

Allen Neuner -
This is a close-up, brightly lit photograph of a smiling woman, likely an actress or performer, standing against a dark, featureless backdrop. She has dark hair pulled back and is wearing a simple, dark gray sleeveless top and what appears to be striped, patterned pants. She has prominent tattoos visible on both of her upper arms and forearms. She is holding a small, white, spherical object, which is glowing with internal light, in both of her cupped hands at her waist. The direct lighting emphasizes her face and the luminous sphere, creating a high-contrast and focused portrait.
Theater

A Korean-American woman looks back on her life in “Did You...

Allen Neuner -
NJ Rep presents "The Drop Off" pictured here is Joyce Sylvester and Chantal Jean-Pierre
Theater

The subject is taking care of your parents in “The Drop...

Allen Neuner -
This is a dramatic, moody, and dimly lit photograph from a stage production of Frankenstein. In the center, the Creature stands on a low, hexagonal platform, nude from the waist up, with his arms outstretched and suspended by thick white ropes or chains held taut on either side. He is positioned behind a sheer, shimmering, gauze-like curtain that catches the light, making him appear somewhat spectral or newly formed. To the left, facing the Creature's back, stands a man likely playing Victor Frankenstein, dressed in dark pants and a light shirt covered by a dark apron or vest. He is intently observing the Creature. The surrounding set is a cluttered, dark room that suggests a laboratory, with various shelves holding bottles, skulls, and scientific paraphernalia, enhancing the eerie and gothic atmosphere.
Theater

In “Mary Shelley’s Frankenstein,” who is the monster and who is...

Allen Neuner -
Scene from the New York premiere of OH HAPPY DAY!
Theater

“Oh Happy Day!” is a funny, gospel-tinged take on the story...

Allen Neuner -
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