Home Reviews Theater “Titaníque” is a tale of disaster as told by Céline Dion

“Titaníque” is a tale of disaster as told by Céline Dion

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Two stage actors perform a dramatic scene in front of a dark background with blue neon lights and a elevated performer in a black suit behind them. In the center, an actor wearing a long magenta jacket over a pearl necklace looks back with a shocked, wide-eyed expression while balancing a nest with two fake white doves atop their head. Facing them on the right is a woman in profile wearing a wide-brimmed pink hat and a red, floor-length period dress layered with sheer black polka-dot lace, holding a piece of fabric as the two interact dynamically on stage.
Jim Parsons as Ruth and Melissa Barrera as Rose in TITANIQUE (Photo by Evan Zimmerman for MurphyMade)
A theatrical stage performance cast is lined up across the stage, illuminated by deep blue lighting with a geometric, triangular metal truss frame outlined in bright white neon above them. Center stage stands a blonde woman in a sparkling, floor-length metallic gold gown, singing enthusiastically into a handheld microphone with one arm raised high in celebration. Surrounding her on both sides is a diverse ensemble of performers dressed in various theatrical costumes—including period dresses, captain uniforms, and modern suits—all striking dramatic, joyful musical theater poses with wide open-mouthed expressions as they sing and dance together under bright stage spotlights.
Marla Mindelle (center) and the cast of TITANIQUE on Broadway (Photo by Evan Zimmerman for MurphyMade)

Titaníque, the off-Broadway parody sensation, has found a home at Broadway’s St. James Theatre for a limited engagement. It is great, silly fun, loaded with familiar songs, concocted by Marla Mindelle, Constantine Rousouli, and Tye Blue. The trio has already earned numerous honors for Titaníque, including Obies for the original off-Broadway production, Olivier Awards for the London production, and four Tony Award nominations.

If you’ve seen the movie, or any of the dozens of movies and documentaries about the wreck of the Titanic on her maiden voyage, it’s not necessary to relate the plot here. The conceit is that the story of what really happened to the luxury liner Titanic is related by Céline Dion, who claims she was on board that fatal night. She tells her version of the story, which strangely resembles the plot of the movie Titanic, complete with characters from the film: the ship’s Captain; a seaman; socialite Rose DeWitt Bukater, her mother, Ruth, and her fiancé, Cal Hockley; artist Jack Dawson; and American millionairess Molly Brown.

As a director, Tye Blue is a skillful ringmaster, guiding the wildly comedic nonsense with a firm hand. Mindelle’s Céline Dion is a dead-on parody, complete with French-Canadian accent and a floor length gold lamé gown. Rousouli plays Jack Dawson less as a love-struck lower-class boy and more as a Broadway leading man. Melissa Barrera makes a lovely, independent-minded Rose, torn between true love with Jack and the social and financial expectations of her mother Ruth, played by Jim Parsons in not-quite-full drag. John Riddle is the venal, snobbish Cal Hockley, who gifts Rose with a sapphire necklace big enough to serve as an elephant’s headpiece. Grammy-nominated singer Deborah Cox plays Molly Brown, while veteran gay actor-singer Frankie Grande plays Victor Garber playing the Captain (who just loves all his Seamen). Finally, Broadway newcomer Layton Williams not only plays a Seaman but pulls off a dazzling turn as Tina Turner playing the Iceberg.

A male stage actor stands triumphantly at center stage in a wide, dramatic stance under bright overhead white spotlights that pierce through atmospheric haze. He wears tan trousers, brown suspenders over a light blue button-up shirt with rolled-up sleeves, and an open jacket, holding a paper ticket or card high above his head with an ecstatic expression. Behind him on the dark, modern stage, additional cast members and musicians are spread out in shadow, set against a backdrop of geometric metal trussing and horizontal neon lighting bars that give the scene an energetic, concert-like atmosphere.
Constantine Rousouli as Jack in TITANIQUE (Photo by Evan Zimmerman for MurphyMade)

The show is played out on a multi-level set that serves for all the levels of the ship, created by Gabriel Hainer Evensohn and Grace Laubacher for the design group Iron Bloom Creative Production. Alejo Vietti’s costumes run the gamut from early 20th Century haute couture to everyday working class to ocean liner crew uniforms, including a shimmering, fringe-laden costume for Williams’ portrayal of Tina Turner/Iceberg. The imaginative lighting of Paige Seber and Lawrence Schober’s sound design enhance the antics happening on stage. Rounding out the musical end of things is Geoffrey Ko, leading an 18-piece on-stage orchestra, and three background vocalists (Sarah Gallo, Polanco Jones Jr., and Kristina Leopold)

A theatrical cast of nine actors performs on a vibrant stage bathed in cool blue light, with white neon-style lighting and dark metal architecture lining the background. At the center stands a blonde woman in a glittering, floor-length metallic gold gown holding a microphone into which she sings, her left hand triumphantly raised high in the air. Surrounding her are eight cast members arranged in dynamic positions—some seated low at the front and others standing alongside her—wearing an array of elaborate costumes, including a red period gown, naval captain jackets, formal suits, and casual vests. Everyone holds handheld microphones and sings outward toward the audience with joyful, high-energy facial expressions.
The cast of TITANIQUE on Broadway (Photo by Evan Zimmerman for MurphyMade)

Titaníque is frenetic and funny, with physical antics and outrageous puns and jokes. The score is not original, but does contain many familiar songs, including “My Heart Will Go On”, “River Deep Mountain High”, the title song from “Beauty and the Beast”, and “Who Let the Dogs Out?” It’s a version of history as seen in a fun house mirror, wanting nothing more than to make you give in to its own tangled logic. If what you want is a night of sheer laugh-out-loud entertainment, purchase yourself a ticket and set sail on the Titaníque!

Titaníque is presented at the St. James Theatre, 246 West 44th Street in New York, through Sept. 20. For more information, or to purchase tickets, go to titaniquebroadway.com.

Allen Neuner
Allen Neuner is Out In Jersey Media's lead theater reviewer, focusing on New Jersey's professional regional theaters, the Bucks County Playhouse in New Hope, Pennsylvania, and Broadway and off-Broadway shows in NYC. Jersey born and raised, Allen went to his first Broadway play in 1957 and has been deliriously in love with live theater ever since. Allen has been accepted into the American Theatre Critics/Journalists Association, a professional organization. He has been partnered to music reviewer Bill Realman Stella, with whom he is also deliriously in love, for over 25 years. They live in an over-cluttered house in Somerville.