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Cat Cohen in "Broad Strokes" at the Lucille Lortel Theatre
Theater

“Broad Strokes” is a labor of self-love

Allen Neuner -
Jack Holden and John Patrick Elliott in "KENREX"
Theater

“Kenrex” charts the fall of a town’s bully

Allen Neuner -
This medium shot captures three actors on a stage, positioned in and around a row of four bright yellow swivel chairs against a cool, blue-lit wall. In the center, a man with glasses and short dark hair sits with his hands clasped, looking upward with a worried or inquisitive expression. To his right, another man with glasses and energetic dark hair sits with one leg crossed, gesturing animatedly with his hands as if in the middle of an exciting explanation. On the far left, a woman with dark hair pulled back stands behind a chair, leaning forward slightly with a neutral, attentive gaze; she is dressed in a dark sweater over a collared shirt and dark trousers. The stark contrast between the vivid yellow furniture and the clinical, shadowy blue background creates a modern and slightly tense atmosphere.
Theater

“Data”:  Progress can always be corrupted

Allen Neuner -
This image shows a theatrical stage setting with two young people seated on separate, low hospital-style beds. The girl on the left has dark skin and hair styled with pink scrunchies, wearing a plaid jumper over a white button-down shirt, and she is sitting cross-legged, smiling broadly towards the right. The boy on the right has a bandage wrapped around his head and is wearing a white shirt, a dark red vest, and dark pants; he is sitting on the edge of the bed and smiling towards the left. The beds are low to the ground with light pink-tan blankets. The background is completely black, with light blue panels framing the top and sides, emphasizing the two figures and creating a simple, dramatic scene.
Theater

Two young people forge a lifetime friendship through “Gruesome Playground Injuries”

Allen Neuner -
This is a theatrical photo featuring a woman standing center stage in an extremely bright, colorful, and surreal set dominated by hot pink and purple lighting. She is dressed in a playful, angelic outfit consisting of a tiered, ruffled white mini-dress, knee-high silver boots, and large, prominent white feather wings extending dramatically behind her. She stands in front of a curved, ribbed white counter. The background is a wall of shelving filled with small white and pink products, all bathed in purple light. Two small, vintage-style television screens in the top corners show her image, one in a white swimsuit, reinforcing the theme of idealized, perhaps manufactured, perfection.
Theater

Dylan Mulvaney is “The Least Problematic Woman in the World”

Allen Neuner -
A full shot on a theatrical stage shows a man seated on a metal chair at the left, facing a woman leaning on a large, dark green, utilitarian desk at the right, all against a dark background.
Theater

Two incredibly different worlds collide in “Duke & Roya”

Allen Neuner -