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Miles Heizer as Cameron Cope in "Boots."
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Miles Heizer isn’t trying to play straight anymore. “Boots” shows why...

Chris Azzopardi -
The photo shows an older man with short white hair making an exaggerated angry or intense expression. He’s baring his teeth and furrowing his brows while lifting a pair of dark sunglasses off his face with both hands. He’s dressed in a black jacket over a buttoned-up striped shirt. The dramatic lighting and his animated pose give the image a theatrical, almost cartoonishly fierce feel.
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John Waters doesn’t want your approval — and that’s why we...

Chris Azzopardi -
The photo shows a person with short, dark hair, wearing a dark gray sleeveless t-shirt that prominently displays the text "PAYBACKS ARE A BITCH" above a graphic of a figure, possibly a ninja or warrior. The individual is standing behind a DJ mixer (labeled Pioneer DJ), actively engaging with the controls by touching the board with their hands. They are looking directly up and slightly off to the side with an intense or focused expression. The scene is darkly lit but dramatically washed in deep pink/purple neon light, emphasizing the mood of a club or performance space. A vertical tube of bright white light is visible in the background on the left, contrasting with the purple surroundings.
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Katy O’Brian is the queer action star we’ve been waiting for

Chris Azzopardi -
This is a close-up film still showing two male figures, potentially reflected in a mirror. The primary figure in the foreground, taking up the left half of the image, is a young light-skinned man wearing a dark blue baseball cap and a grey shirt, looking intently off-camera to the right. He has a gold chain visible around his neck. The secondary figure is seen in the background on the right side of the image, appearing to be a reflection in a mirror. This man has short, greying hair, a beard, and glasses, and is wearing a dark blue jacket with a red collar. He is looking forward, past the foreground figure's shoulder. The lighting is warm and slightly dim, with an out-of-focus shoulder of a third person visible in the extreme right foreground.
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The power of storytelling, according to Russell Tovey

Chris Azzopardi -
Gottmik and Violet Chachki
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When queens clash, culture wins

Chris Azzopardi -
This is a vibrant, wide-angle outdoor photograph of a drag queen in the foreground, performing for a crowd on a sunny day. The drag queen has dramatic makeup and is wearing a voluminous pink and red ombré wig. The costume is a bright, sequined top in yellow and purple, paired with sheer stockings and a skirt or sash of fluffy pink fringe. She is looking directly at the camera with an intense expression. Behind her, a large crowd of diverse people is gathered on a city street, many of them cheering or taking photos. The background features a large brick building on the left and a darker building on the right with painted text, all under a bright blue sky with wispy clouds.
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Winter Pride fests keep the party going year-round

Chris Azzopardi -
This is a visually striking photograph taken inside an immersive light installation where the perspective creates the illusion of a vast, infinite space. Three people stand in the center, surrounded on all sides by hundreds of hanging lights that resemble a geometric matrix or molecular structure. The lights are primarily pink/red and blue/purple spheres, with the blue lights being larger and more intense, creating glowing lines that recede into the distance. The three individuals are seen in profile or facing each other in the middle ground, standing on a reflective floor that mirrors the light. The overall mood is futuristic, vibrant, and abstract.
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A bromance goes dark

Chris Azzopardi -
This image is a portrait featuring Stephanie Burt next to the cover of her book, Taylor's Version. On the right, Burt, a white woman with long, wavy brown hair that has bright teal tips, looks directly at the camera. She wears purple-rimmed glasses with blue temples and has on a deep burgundy, criss-cross-neck top. On the left is the black book cover, with the title "TAYLOR'S VERSION" in large, bold red text. Below the title is a black-and-white photo of Taylor Swift on stage, singing and playing a sequined acoustic guitar, with the subtitle "THE POETIC AND MUSICAL GENIUS OF TAYLOR SWIFT." The background is a gradient of dark teal and olive green.
Books

How Taylor Swift’s music gave a trans scholar her girlhood

Chris Azzopardi -
This is a portrait of entertainer Murray Hill, a performer known for his drag king persona. He is seated and smiling warmly, looking off to the side with a happy expression. He has short, styled dark hair with a gray streak and is wearing a classic black tuxedo jacket, a white shirt, and a black bow tie. He is also wearing large, clear-framed glasses. In the foreground, held in his hands but not fully visible, is a gleaming, jewel-encrusted silver crown resting on a bright red velvet pillow. The background is a solid, dark color, which makes Murray Hill and the crown stand out. The lighting is focused on his face and the crown, creating a spotlight effect.
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More than a crown: Murray Hill fights for drag kings to...

Chris Azzopardi -
This striking photo of Maren Morris features her looking upwards and to the right with a thoughtful expression. She is wearing a voluminous, shaggy yellow coat that dominates the foreground, its texture creating a soft, warm feel. The image is enhanced by a multi-exposure or reflection effect, creating multiple ghostly, fainter images of her face and the yellow coat on the right side of the frame, giving it an ethereal and artistic quality. The background, similar to other photos in this set, appears to be a warm-toned, textured wall, possibly made of bamboo or wicker, adding to the earthy aesthetic.
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Maren Morris reclaims herself after coming out

Chris Azzopardi -
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