
Rupert Murdoch. The name conjures up a variety of images, many of them unfavorable. There’s the scrappy Australian who parlayed two small newspapers into one of the world’s largest media conglomerates. The friend of presidents, millionaires, and heads of state worldwide. The patriarch of a large, contentious family whose jockeying to claim power even before his death makes news of its own.
Murdoch’s life is the focus of the one-man show Murdoch: The Final Interview, and it’s a gripping ride. The playwright is “an unnamed source” — presumably, to avoid libel and/or slander lawsuits. Regardless of that, the play paints a fascinating picture of the man who, more than anyone else, had a hand in reshaping the media into what we have today.
One actor, Australian Jamie Jackson, portrays all the characters in the show, whether on stage or on the large video screen at the back of the set. Not only does he tackle Murdoch from a young age to the elderly present, he is both Murdoch’s father and mother, various presidents including Reagan and Nixon, Fox News creator Roger Ailes, and a host of others.
He also portrays Murdoch’s interviewer, whose true identity is a question up until the very end of the play, but who hints that he has been present from the start. Jackson is a consummate actor, creating a host of characters using just changes in voice and bearing.
Jackson is guided by the careful direction of Christopher Scott. The set, a bleak monochrome nowhere and anywhere, is the work of Peter R. Feuchtwanger, with emotive lighting by Saunders Harrison-Matthews, sound design by Josh Weidenbaum, and video design by Andy Evan Cohen. SoHee Youn, Jackson’s wife, composed the recorded prelude to the show, an eerie setting of Yeats’ poem “The Second Coming” performed by countertenor Sean Patrick Doyle and pianist Isaac Hayward.

While the play captures and holds the audience from the first scene, it does have some flaws. Early on, it establishes two cliches. First is the neglected child of cold parents, always seeking to be seen. The other is the emotionally stunted adult, holding everyone in contempt, unable and unwilling to make any emotional commitments.
One can also see parallels to Charles Dickens’ Scrooge, someone who discards his ideals as he becomes more successful, rationalizing away his decisions at every step.
Although flawed, this is a play worth seeing, not just for the historical overview of Murdoch’s career but for the amazing solo performance of Jamie Jackson.

This is not the show for anyone who is looking for a deep dive into the life and career of Rupert Murdoch. However, as a dramatic offering, I do not think it would be a waste of one’s time. For a decently fascinating look at a modern day media titan, I suggest going to see Murdoch: The Final Interview.
Murdoch: The Final Interview is presented at Theater 555, 555 West 42nd St., in New York, through Dec. 23, 2025. For more information, or to purchase tickets, go to murdochthefinalinterview.com.
























































